Jun 122011
{click image to view large}
A red car, green leaves, and blue overcast light: RGB!
Peering through foliage to find a clear shot, the in-camera square format helped convey an impression of tapestry as I saw it.
But, the highly saturated complimentary colors created some nasty fringing around the edges of the leaves—challenge a lens/confuse the sensor. 😉 After trying several correction methods found online, I made up a solution for this particular image. In Photoshop:
- Select the red background, Invert to select the leaves, and Stroke > Outside with a pixel width to cover the fringe.
- Because the red changes in value from light-to-dark, top-to-bottom, create a selection from the stroke and fill with a gradient of light-to-dark red using the Eyedropper to sample hues.
- Add a Gaussian blur to further help blend, and;
- A little high-pass sharpening on the edges to finish.
This result isn’t quite print-ready, but with some refinement I think it could be. Getting it to print within gamut, however, is likely another thing altogether.
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Panasonic DMC-FZ40; f4 @ 1/50 sec, ISO 400 (handheld);
Focal length: 45.6mm (299mm EFL)
Magnifique, April ! It is so japanese… The red is. Its texture seems to be silk.
Bravo for the PP ! Very smart. The end with this overcast day picture is so happy and amazing for a photographer: RGB.
I enjoy the subtlety of the blues.
It could be a beautiful dress or a tapestry, and not. Because there is a real depth of field in your picture.
As it is a “contemplative photography”, we all can dream.
I agree with Micheline. I’ve seen wrapping paper this vivid. The Japanese would call the a hadé type of beauty – loud, cheerful, in-your-face. As opposed to something like shibui, which celebrates the beauty of age.
Thanks very much for your comments.
I wasn’t familiar with the term “hadé”—I like it! 🙂