The other day I brought home a bouquet of miniature roses. One fell off, so I put it in a dish. This morning it struck me as especially lovely in the early light.
When I started practicing Miksang three years ago, we were instructed to “boycott your default position”. Sometimes, however, I just have to capture classic beauty in a traditional way. The light on these flowers was perfect, and the raw file needed very little post-processing. I love when that happens!
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Nikon D300; 1/125 sec @ f11, ISO 400 (handheld);
70-300 mm f/4.5–5.6 @ 240mm (360mm EFL); focus distance 1.78m
Spring Light
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Nikon D300; f11 @ 1/350 sec, ISO 200 (handheld);
70-300 mm f/4.5-5.6 @ 220mm (330mm EFL); focus distance 1.68m
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Prairie Fire
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Nikon D300; f9.5 @ 1/125sec, ISO 3200 (handheld);
70-300 mm f/4.5-5.6 @ 165mm (247m EFL); focus distance 1.68m
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“Dappled light” sounds pretty, doesn’t it? But high contrast and hard shadows have led me to dismiss it in favor of photographing subjects under soft, even lighting…
Until last month, during the Callway Gardens workshop, when a participant opened my eyes to possibilities I’d been ignoring. She was photographing the color and reflections of azaleas along a riverbank, playing with impressionist ripples in the water. What especially struck me, however, was the way she’d been drawn to one particular mound of blossoms spotlit by sunshine through a break in the surrounding trees. Ah-hah.
Thank you, for showing me the light!
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Hungry for color, I broke down and bought a bunch of tulips the other day.
These were photographed with my Panasonic Lumix (on a tripod), because I originally envisioned a square format—though I ended up with a 4:3 composition instead. The ability to choose different aspect ratios in-camera is my favorite feature of the Lumix.
What really delighted me, however, was how beautifully the Lumix captured reds—normally so difficult to hold on my Nikon D300! This image required very little post-processing.
I did use a circular polarizer for this frame, but that was primarily to reduce glare on the waxy petals. Color was equally good on previous frames without the polarizer.
Panasonic DMC-FZ40; f8 @ 5 sec, ISO 80 (Neotec tripod);
Focal length: 76.4mm (424mm EFL)
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Standing up above the rest, this white flower caught my eye in the garden of a courtyard building in our neighborhood. The background is a sidewalk, which sits on a small rise above the bed of zinneas in hues of orange, pink and yellow.
The morning was very still and calm, with quiet light, so that’s the word that came to mind as a title for this image.
I’m thrilled to write that I’ll be assisting Marti Jeffers next spring during her workshop in Callaway Gardens and Warm Springs, Georgia, and hope to have the pleasure of meeting more of you in person there!
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Nikon D300; f8 @ 1/180 sec, ISO 360 (handheld);
18.0-200.0 mm f/3.5-5.6 @ 200mm (300mm EFL); focus distance 2.66m
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Over on Flickr, Micheline asked “How come we do not see [these images] on your blog?” In part, it’s because I wasn’t sure what I thought of them.
The scenes struck me as poignant… People who don’t have much still find ways to introduce beauty and pleasure into their lives: a gentle sound, bright color, blooming flowers, a day at the beach. I’d love to know if that comes across for you in these images, or not!
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This image was photographed May 1st. I’m having too much fun shooting, and am behind on processing!
Actually, I feel the need to process as much as shoot because each informs the other. Processing shows up weaknesses (or strengths) in a composition that I didn’t necessarily see in the field, and can watch for next time.
Public feedback helps, too. 🙂
- Dark green R:78 G:108 B:41
- Medium green R:112 G:141 B:96
- Light green R:156 G:175 B:148
- Yellow R:191 G:166 B:76